SPOTLIGHT :: CRANK STURGEON

It feels good to finally update this thing and what better way to do it than with some reviews of the wacky dada-riffic noise and all around fishiness we've come to know and love from everyone's favorite contact mic abusing man-fish... Harpswell, Maine's CRANK STURGEON. CRANK has been recording and performing live since 1992. He also hand-makes his own line of super reliable high quality contact mics (of which I own 2). Check out www.cranksturgeon.com to learn anything you'll ever want to know about CRANK STURGEON and life in general. Exactly 2 months ago CRANK sent me a package containing the following...


NOVASAK / CRANK STURGEON - split CD-R (Swamp Of Pus)

NOVASAK starts this CD off right with a blistering track called "Right Hook to the Jaw", a nearly 7 minute excursion into contact mic'd funkiness and white out distortion. His second track sounds to me like a feedback loop improvisation. It covers a decent amount of ground but doesn't hold my attention as much as the imploding factory sounds of the first track and at 12 minutes it runs a little long. CRANK's first track, "gilituz-n-gha (meme)" brings the mood back up with a discombobulated mess of terrifying vocals, stereoriffic cut-up percussion, and intense carnival sounds. "For Hucket - Keep Her Limber" starts off a little more restrained but soon devolves into the clanging percussiveness and burping distortion CRANK STURGEON is known for. At 4:54 the distorted madness of the track gives way to a feedback tone that is so high pitched it's almost inaudible. My dog woke up from his nap with a terrified look on his face and tried covering his ears, no shit. The last track is a mail collaboration between NOVASAK and CRANK STURGEON. It's an interesting mixture of found sounds, spoken word, and junk noise randomness. CD comes sealed in a nice blue envelope with 2 full color inserts. Contact Swamp Of Pus for price and availability... www.swampofpus.com.


CRANK STURGEON / DENNIS NASLUND AND THE SUICIDAL ACCOUNTANTS - split c62 (The Terrorists Win!)

The beginning of "Protein Bliss" has me convinced that CRANK STURGEON is the TOM WAITS of noise. Maybe it's the awkward sense of humor that comes through in his music, maybe it's the old man crankiness of his voice, or maybe I'm full of shit. "Protein Bliss" is an expansive 31 minute noise epic in nine parts. CRANK pulls from the usual bag of tricks (absurd stream of consciousness vocals, random instrumentation, and beyond distorted cut-up contact mic fuckery) but is somehow still able to absolutely captivate the listener. I mean really, I was on the edge of my seat the whole time. DENNIS "the pink boxcutter" NASLUND (TTW label dude) has been kicking around the Portland, OR scene for a while now. On this release, he and 3 friends drop exactly 31 minutes of slow paced, thick & crusty, lo-fi as fuck noise. Vocals creep in occasionally as do some cheesy samples drenched in um... tonality but the bulk of this recording is dominated by syrupy distorted mush. I'm really digging the lo-fi brutal-assault mentality of it all but 31 minutes is a long time to keep this going, especially after the emotional roller-coaster that was "Protein Bliss". Tape comes sandwiched in between two card-stock "certificates of death" (from 1927) stapled together with a full color insert. "No really... thank you"... www.theterroristswin.cjb.net


CRANK STURGEON - "Bark King Haggard" c15 (Barfing Dagger Recordinds)

This release looks super nice. A standard tape case containing a clear c15 with a printed label on each side and a handmade insert wrapped in a beautiful piece of xerox art, the whole thing wrapped in a piece of binder paper with a child's (I'm assuming) magic marker drawing. Sound wise it's classic CRANK... crunchy, choppy, original noise that is absolutely gripping in it's absurdity. A big factor in CRANK's sound is the use of stereo panning and here he uses it to it's full potential. I love this shit and the fact that it's only 15 minutes long means that you can squeeze it in whenever you need a quick fix of spastic, schizophrenia. Limited to 47 copies... myspace.com/barfingdaggerrecordings


NOGGIN / ERIC BOROS / CRANK STURGEON and ID M THEFT ABLE - split CD (Manufracture)

Wow. Here's an interesting release. A real pro-pressed CD split between three different veteran artists. Bellingham, Washington's NOGGIN is the duo of Michael Griffen and Eric Ostrowski playing violin and guitar respectively. They've been improvising together as NOGGIN since 1993. Theirs is a very busy, meddling sort of free improv full of string brushing and scraping. These 3 tracks are probably my favorites on this CD. NOGGIN wouldn't sound completely out of place on John Zorn's Tzadik label though they might be a little noisy for the bulk of the Tzadik crowd.

France's Eric Boros (one half of the duo, VIALKA) has been here and there playing noiser musics since the early 90's as well. His track, "Noise Wakame" is a mash up of a bunch of live excerpts from his 2003 Japan tour. He employs everything from effected voice and electronic crackle to contact mic'd bong rips (that's what it sounds like at least). At times it sounds like CRANK STURGEON in slow motion. Because this track is made up of several recordings I found it a little disjointed and difficult to get into. It's an interesting listen but it still doesn't really come off as a fully engaging piece of music.

The CRANK STURGEON and ID M THEFT ABLE track is a live radio collaboration recorded for WMPG FM in Portland, Maine. It's hard to tell who's doing what exactly but I don't think it really matters. "...A Still Summer Evening's Border Crossing Impaired (w/ Stolen Almanac)(It's Probably the Beards)" is an exercise in complete oddball randomness. I would have loved to have been there when they performed this. I bet it was hilarious. What does it sound like? Well imagine if you will CRANK STURGEON in all his fishy glory. Now get some other weirdo who can do a dead on impersonation of CRANK STURGEON. Now get both weirdos going at the same time. It's fucking crazy right? Yeah, it's kinda like that... www.manufracture.net

-FRED

Mr. Lazy Bones

Sorry for the recent inactivity. I've been preparing a bunch of upcoming BFF releases and have simply not had time to sit and listen to/write about music. I promise there will be some new reviews posted very soon though... including a Crank Sturgeon artist spotlight and reviews of a bunch of shit from my huge stack of recent trades. Thanks for reading.

-FRED

SPOTLIGHT :: MYSTIFIED

Contact Mystified at www.mystifiedmusic.com to check availability for any of these releases. Watch for the split c30 w/ THE TWO-YEAR CURSE coming out on BLASTBEATS FOR FREEDOM in Winter ‘07/’08


MYSTIFIED - “Iron” CD-R (Turgid Animal)

The semi well known multi-national noise label (UK and Italy), TURGID ANIMAL put this CD-R out in an edition of 21. They have an obscene amount of releases for a 2 year old label. This is their 215th. The packaging left a little to be desired (but what do you expect from a label as ultra-prolific as TURGID ANIMAL?). The “Verbatim” brand CD-R definitely detracts from the overall look of the release (using storebought “branded” CD-Rs is sort of a pet peeve of mine). Fortunately the music more than makes up for the lackluster packaging. MYSTIFIED has been laying down the chill ass creepy noise jams for some time now and this CD doesn’t dissapoint. Contained are 10 song length tracks of haunting sound collages rife with chimes, bells, electronic farts, and looped insect noises throughout. The mixture of analog and digital sound creates an exremely varied, engaging listen that would be perfect as a horror soundtrack. I’m hearing buried tympani and processed field recordings mixed with programmed dissonance and digitized rainfall. There were only 21 of these act fast. It may be too late. This shit is way more ominous/threatening than a lot of the “harsher than thou” noise artists. Wow, I just noticed that I’ve used the word, “harsh” in almost every review I’ve written. I’ll try and cool it a bit from now on.


MYSTIFIED - "Drinking Hot Beer" 3” CD-R (Existential Cloth Recordings)

The cover art for this mini-CD is very colorful and would be quite beautiful if not for the extreme pixelation. The text is virtually unreadable! But again, this is another one where the music makes up for the packaging. This whole thing seems to be made up of lightly processed field recordings, some so untouched and left in their natural state that I find myself hearing certain parts and thinking, “This is supposed to be interesting?” yet for some reason I’m captivated. Sparse drums and accidental(?) melodies make appearances as do running water and traffic noise. I dig it. Seek this out if you like stuff that straddles fine line between “noise music” and random sound.


MYSTIFIED - “Mellow Utility” CD-R (Ambolthue)

Another full-length release from MYSTIFIED. Another 10 relatively short tracks of atmosphere and all around chillaxitude. This one is somewhat similair to the “Iron” CD-R on TURGID ANIMAL but way more relaxed and not as exploratory. “Mellow Utility” is a wonderfully fitting title. Rather than take you forward on an adventure, these tracks seem to hang around in their own fog not moving too much but creating space to float. Painting a picture. This is definitely more meditative than the other two MYSTIFIED releases featured above. Lots of machine-hum ambience and cavernous echo. Totally awesome relaxing ambient music. I think I could put this CD on repeat and go to bed. As a matter of fact I think I’m getting... kind of... ... sleeeeepy... ... ... Zzzz... Zzzz... ... ... Zzzz.

-FRED

THREE FROM TRIPTYCH TRENCHER

Carl Annarummo runs Triptych Trencher, a DIY label and printing press based in Jamaica Plain, Massachusetts. Known for releasing CD-Rs mostly, these are Carl’s first three cassette releases. The 3 mysterious tapes he sent me came with almost no info... not even an artist name! All I had to go on was a catalog number. That’s not to say these tapes are minimally packaged. Each of them comes with some sort of small artifact that makes you wonder if Carl has been raiding his Grandma’s closet for old photos and documents. After digging up some info online I discovered that apparently Carl is responsible for all of the music on all three of these tapes. They are each limited to 33 hand numbered copies and are available for $4/usa $5/world by paypaling funds to oldwesty@gmail.com.

Says Carl... ...
“but really, fuck money, lets trade.
even if you want to send me mix tapes
or a box of junk.”

CLARENDON HOLY EXCERPTS - c32 (Triptych Trencher)

The tape starts and the shit is fucking gross. Is it the treble crackling and cackling or is it the vomit-esque snorting distortion? I don’t know. It bursts in with the gross and doesn’t stop with the gross. This appears to be the “best of” Carl’s practice tapes recorded over two years. It’s pretty good too. Nothing amazing or ground breaking but still a pretty fun listen (and what do I now about breaking ground anyway?). The stuttering low end thumps in the middle of side 1 remind me of a trashier version of Canada’s D/A A/D. Get this tape if you like harsh noise that sounds like motorcycles and/or religious chanting and/or infomercials and/or anything you can run through a shitload of effects pedals. Mine came packaged with 6 totally awesome faded pictures of old people from the 1970’s and 80’s. It’s weird to own pictures of complete strangers who are probably dead now.

AIRFORCE JOYRIDE - c32 (Triptych Trencher)

Another 1/2 hour of rumble and crumble from Carl Annarummo. Side 1 starts off with a mudslide of distortion but soon quiets down to allow for a cavernous snailpaced rhythm to be heard. The “loud, quiet, loud” thing is in effect here with lots of changups and dynamic shifts. Swirling hiss-tortion starts off side 2 and slowly gives way to more of the brooding feedback laced muddy electronics of side 1. Overall, a pretty dark sounding (mostly) harsh noise excursion. Came with a picture from 1941 of a little boy who looks like me when I was 8 years old. Fucking creepy.

DUEL FALCONS - c32 (Triptych Trencher)

“Peace and quiet never sounded so good”. So says the Triptych Trencher website. I couldn’t agree more. This is the sound of 100,000 pounds of nature crushing your skull. What happened is Carl made some field recordings at a local arboretum and as far as I can tell, upon returning home he ran the tapes through the washing machine, then through the dishwasher, then through a chain of effects straight to a tape deck. This is definitely my favorite of the three Triptych Trencher tapes. After a few minutes of the first side you can still hear bits of PBS-like conversation sneaking in and out of the distortion while the chirping birds have become a huge clamouring mess. Side 2 is even more harsh and has almost no recognizable trace of the source material except for a siren that creeps about here and there. Mine came with two “Monmouth Workshop” paystubs from 1976. I can’t believe that after working almost 12 hours this person only got paid $8.82!

-FRED

FLESHOBEDIENCE - Demo #1 tape (Self Released)

FLESHOBEDIENCE is a project from Marietta, Georgia. This is Kurt's first release and honestly, I wasn’t expecting much. I mean c’mon... the dude is just mailing these things out for free. So imagine my surprise when I popped in the tape and discovered it’s actually quite good. Harsh distorted vocals, wailing feedback and warbling lo-fi synth crust can only mean one thing right class? Right... power electronics! This is some mucked up shit too. For almost 15 minutes FLESHOBEDIENCE tortures the listener with his thick syrupy mess of electronics and black metal shrieks interspersed with obnoxious mic feedback. It could benefit from a little more forward motion but whatever, I mean this is noise afterall. My only real gripe... After the first side ended I flipped the tape over to discover there wasn’t a second side. What’s up with one sided tapes anyway? One sided records I can understand, but tapes? Boo hoo. Overall, a very solid first effort. Comes on a black tape with “FLESH OBEDIENCE” carved into it and a xeroxed j-card with minimal information and no art. Contact Kurt for a copy. Who knows, he’ll probably mail it to you for free.flesh_obedience@hotmail.com.

-FRED

THREE FROM LOST IN THE VOID RECORDS

I recently got a package from Mikey at Lost in the Void records outta Texas. He sent me 3 CD-Rs. The sleeve art on these releases reminds me of some mid-90’s grindcore 7”s or something. Rough cut ‘n paste artwork and shitty computer fonts printed on bright colored cardstock. Like Bred on Deception, Avulsion, Godstomper, or Captain Cleanoff. Musically these CDs are nowhere near what those bands play(ed) but the artwork definitely brings me back to the days of scanning the dollar bins at Amoeba or Streetlight Records in search of shitty grindcore records. That's not to say that these releases are shitty. Far from it actually. Anyway, all three of these CD-Rs are available for $3 ea. ppd (intl. add extra postage) from...

Mikey / Lost in the Void Records
184 Sandy Ridge Rd.
Nacogdoches, TX 75964 USA

lostinthevoid@yahoo.com
www.myspace.com/lostinthevoidrecords

“...trades welcome and preferred.”




INSOMNIA / MB10 - split CD-R (Lost in the Void)

INSOMNIA (A.K.A. Jason Vizmanos) starts things off Illinois style with some very lo-fi squiggletronics. Lots of human voice source material bleeding through the tinny waves of cheapo distorted gunk. Total analog meltdown. I like it but I think INSOMNIA’s tracks could really benefit from an EQ boost... like a severe EQ boost, especially in the bass and low-mid frequencies. But what do I know? Maybe the itty bitty treblecentric AM radio sound is what he’s going for for. After 3 tracks from INSOMNIA, MB10 gets a chance to lay down 6 tracks of reverb drenched hissing madness and oddball weirdo noise. MB10 (A.K.A label boss, Mike Waggoner) has a strong grasp on dynamics, making sure not to pile on the harsh for too long. I really like the choppy start and stop insanity of most of these tracks. There’s a constant forward motion not found in a lot of noise which makes it feel like it’s actually taking you somewhere. He definitely knows how to create an interesting listening experience and does so with these 6 tracks.




EVERETT ROSE - “I’d Like to Kill You” CD-R (Lost in the Void)

Ummm... OK this is obviously a terrible joke. A terrible, terrible joke. The kind that makes you laugh at how not funny and terrible it is. Basically Everett Rose is a trashy redneck “tribute” to Wesley Willis. Wait a minute... am I laughing? Is this funny? I can’t tell if I’m laughing with or at Everett Rose. Check this CD out if you like extremely stupid and offensive music. Don’t check this CD out if you are at all a fan of Wesley Willis.




ACIN / MB10 - split CD-R (Lost in the Void)

Mike Scrivens’ project, ACIN’s first track, “Alive” starts things off with a burly synthy buzz which turns into more swirling crackle and buzz and the shit just doesn’t let up. Musically it reminds me of when my girlfriend’s trying to give me a buzz-cut and the shitty $10 shaver I bought starts crapping out (which happens every time we shave my head). ACIN’s tracks have a very “classic” harsh noise sound. Actually it's more like a slower, more contemplative version of all those spastic japanese “classics”. Of ACIN’s 4 tracks my favorite is the last one, “Undertow” because of it’s weighty buzz and bubbling crackle. Keeping in the “classic” vein, MB10 comes back and delivers 4 tracks of over the top pedal noise. These MB10 tracks are overall more harsh and in my opinion, even more enjoyable than the ones on the split with INSOMNIA. My favorite MB10 track on this release is “Invaded Space”, total feedback loop insanity left in it’s buzzy raw & unedited state. Apparently MB10 has been around since the early 90’s which would explain a lot. This shit is good. Wait... Can you believe I used the word "buzz" five times in this review.

-FRED

CIRCLE SIX - “Momentary” 3” CD-R (Annuit Coeptis)

Alright! This is the kind of release that really holds my attention. 4 tracks on a 3” means this is perfect for all the other ADD noisers out there. All 4 of the tracks are so different that you’d think they were done by completely different artists. The first track, “Frozen” starts things of with some mellow feedback that sounds like it could be coming from various digital and analog sources. Second track, “Cheale (long)” is definitely the harshest and most “noise” of the bunch with it’s hiss & squelch, hard crunch and fucked up retard-rhythm. Track three, “Holder” brings things down again with some ambient bubbling noises & soft synth and “Opening in the Ground” finishes everything off with a huge gitchy beat and massive divebomb tones. The music on this CD is so clean and perfect sounding I’m beginning to think that a lot of it may be constructed using a computer. This would be a good CD for someone who is trying to get into experimental electronic music but doesn’t want to be overwhelmed by the full on fuck-you-up noise of most noise artists. Contact CIRCLE SIX to see there are still copies available. circlesixmusic.com

-FRED